Chapter 5 of Depths of Malice is where Rita truly stops surviving and starts scheming, and it's a fascinating turning point for her character. Still adjusting to life inside Lady Bertha Alberhart's body, she is forced to confront the horrifying reality of Bertha's existence — a gilded cage controlled by her fiancé Jean Lawrence and his enabler Baron Jacard. What makes this chapter so compelling is how quickly Rita sheds any lingering hesitation from her past life. The terminally ill, betrayed noblewoman is gone; in her place is a calculating strategist who realizes that innocence will not save her here. Instead of recoiling from Jean's perverse and voyeuristic cruelty, she studies it, learning how to weaponize his obsessions against him.
The plot progression here is tense and claustrophobic, focusing less on explosive action and more on psychological warfare. Rita begins to test the boundaries of her new identity, pushing back against Jean in subtle but deliberate ways that would have been unthinkable for the timid Bertha. Her interactions with the other men in her orbit, particularly the morally grey Blaine, also hint at her emerging philosophy — everyone is either a tool or an obstacle. This chapter does an excellent job of establishing the power dynamics she will need to dismantle, showing us that her revenge will not be a simple act of violence but a slow, humiliating unravelling of her enemies' control.
Emotionally, the chapter leans heavily into themes of bodily autonomy, disgust, and reclaimed power. There is a palpable sense of unease as Rita navigates unwanted touch and invasive gazes, but that discomfort is balanced by a thrilling sense of catharsis when she refuses to play the victim. Artistically, Doori and LaChic excel at conveying this duality. The art contrasts Bertha's breathtaking, delicate beauty with shadowed, oppressive interiors and Jean's unsettling expressions, making every panel feel charged. Rita's eyes in particular are a highlight — cold, sharp, and utterly fearless — signaling to readers that the true villainess has finally arrived and she is ready to play the game on her own terms.